Someone suggested that Suss Müsik repost our contributions to the weekly Disquiet Junto projects, because they enjoy reading the explanations of the tracks. While you’re reading the original post, make sure you check out the other contributors’ works as well.
“Earth is turned into water black and blue / And water after into air under very white,” wrote George Ripley in his 1471 work The Compound of Alchemy. “Of this Separation I find a like figure.” Heavy stuff.
Suss Müsik believes all sound to be a process of experiential transformation, a constant shifting of directional timbres and tones. Musically speaking, it’s difficult to explain why some sounds seem to have more success combined with others. It might simply be our biases at work (Suss Müsik, for example, uncovers alchemy in any classic Thom Bell production). Or perhaps something more mystic takes place on a subconsciously metaphysical level.
The approach Suss Müsik took with this week’s Junto was to begin quite literally with blue and white noise, pushing and turning the voltages the same way an acoustic instrument might move air into water. The sound was manipulated by various self-built electronic gadgets and MIDI devices. The piece was composed (well, more like discovered) and recorded quickly to 8-track.
The piece is titled Tetraptative, a Middle English adjective whose only appearance in written or spoken form is believed to occur in Ripley’s text:
And Separation is called by Philosophers definition,
Tetraptative dispersion of the said four elements.