On Sunday 16 October, Suss Müsik will appear on the CKRL radio program La Croche Oreille, hosted by Gaëtan Gosselin. The program is hosted from Quebec City and broadcast in French. Maybe someone who speaks that language fluently will kindly let Suss Müsik know what’s being said. This coincides with Suss Müsik’s latest album New Hopes being listed as this week’s “What’s New” feature. Exciting stuff.
Suss Müsik was interviewed as part of the Maker Faire Philadelphia podcast series. Topics of discussion include: DIY instruments, Suss Müsik’s surprising influences, what compels artists to create, the significance of being “crepuscular,” and the best time of day to feed birds.
Suss Müsik built upon the Artiphon INSTRUMENT-1 with a DIY synth attachment, played via touch-sensitive ring with built-in modulation. DIY synths are fun.
The first demo is a little improvisation with fake strings played on the Arti as fingered chords, with sustain/pressure variances controlled by footpedals. Sound is generated on the synth by gliding one or two fingers along the outer ring.
The second is a live performance of Dovum, a piece built around audio scans of B.G. Madden’s artwork.
The added text is the first paragraph of Oku no Hosomichi (meaning “Narrow Road to Oku”), a 1702 work written by Matsuo Bashō. Translated to English, the text reads as follows:
“The months and days are the travelers of eternity. The years that come and go are also voyagers. Those who float away their lives on ships or who grow old leading horses are forever journeying, and their homes are wherever their travels take them.”
The Quarantine Concert series shall continue for as long as the pandemic does.
The Suss Müsik piece “Henkogning” was played on the CHOQ Quebec radio program La Rivière on May 6. The track appears around the 1:20:00 mark. We are proud to share the bill with John Cale, one of our heroes. The CHOQ deejay spoke French, so we’re not entirely certain what was said about Suss Müsik. Maybe someone out there can translate for us.