Post-classical ambient minimalism for crepuscular airports

Junto Project 0460: Creative Destruction [repost]

Someone suggested that Suss Müsik repost our contributions to the weekly Disquiet Junto projects, because they enjoy reading the explanations of the tracks. While you’re reading the original post, make sure you check out the other contributors’ works as well.

“What distinguishes a particular engineering discipline from another is only the palette of things to be put together,” says structural engineer Mark. E. Eberhart in his book Why Things Break. The same might be said for how things are broken apart.

Human beings are compelled to be destructive; otherwise, we simply don’t evolve. Our survival quite literally depends upon our capacity to wreck stuff. Destruction is a fundamental component of construction, for without the ability to sculpt raw matter into tools we have no means by which to build. Destruction is evidence that we have successfully moved forward as a species.

For this exercise, Suss Müsik approached the concept of destruction as both starting point and continuum. A simple counterpoint sequence for fake strings and piano was duplicated and distressed, using heavy distortion filters and run aggressively through a pitch-shift modulator.

The resulting artifacts form what you hear at the beginning of the piece. From there it was simply a matter of reversing the “destruction,” which seemed weirdly self-referential: could the act of destroying the destroyer be considered, by reverse logic, a form of construction? Suss Müsik will leave that for you to ponder.

The piece is titled Entropy and was recorded live to 8-track. The image is refracted sunlight dissipating through a glass of water on a white table.

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