Someone suggested that Suss Müsik repost our contributions to the weekly Disquiet Junto projects, because they enjoy reading the explanations of the tracks. While you’re reading the original post, make sure you check out the other contributors’ works as well.
The River Aare is notable for its turquoise color, which gets bluer and richer as the weather in Bern gets warmer. Minerals from the surrounding mountains drain into the Aare via melting snow and ice, leaving an exotic cocktail of minerals in the water. Some locals suggest that the blue color has intensified over the years, as more glaciers melt due to overall warming of the earth’s atmosphere.
The color of the Aare was the start of Suss Müsik’s tribute to one of Europe’s most beautiful and overlooked geographies. The piece begins with a blast of “blue noise” generated by a grain synth, sequenced according to conversion maps drawn in the shape of the River Aare.
The supplied image of the river and surrounding hotspots was then converted to high-contrast, binary tones. The resulting picture was then scanned as a high-resolution audio file and processed into samples. These were sequenced according to the matrix of hotspots as they appear on the original map. What resulted was a series of little blips and blorps in the key of B.
All of these components were then played and recorded live to 8-track.
The work process employed by Suss Müsik is similar to that used for an ongoing collaboration with visual artist B.G. Madden, whose first name coincidentally is Bern.
The piece is entitled Aare. Thanks and kudos to Tobias Reber for proposing such an interesting Junto project.