Post-classical ambient minimalism for crepuscular airports

Junto Project 0441: Three Stones [repost]

Someone suggested that Suss Müsik repost our contributions to the weekly Disquiet Junto projects, because they enjoy reading the explanations of the tracks. While you’re reading the original post, make sure you check out the other contributors’ works as well.

Suss Müsik found three flat, smooth stones. They stack quite nicely into a pillar, which brought to mind the “stone town” of Kuklica.

Located near Kratovo in North Macedonia (about 260 kilometers northwest of Thessaloniki), the Stone Town of Kuklica is an area consisting of over 120 naturally formed stone pillars. The pillars are the result of natural erosion in volcanic rock over the past 100,000 years.

The most famous legend explaining the pillars’ formation is about a man who couldn’t decide which of two women he should marry. He planned to marry each woman on the same day, one in the morning and one in the afternoon. (Suss Müsik recommendation: don’t do this.) While the first wedding was in progress, the second woman showed up in a rage. She cursed all the attendees and turned them into stone, where they stand today.

For this piece, Suss Müsik sought to capture the moment at which a wedding becomes a petrification event. An array of “hits” using the three found stones were converted into random patterns using a grain synthesizer, then compiled into a more coherent rhythm. The piece concludes with a few somber piano chords. The vocal melody is a distressed field recording of “Ave Maria” sung in Greek.

The piece is titled Kuklica and was recorded live to digital 8-track.

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