Junto Project 0375: Despite Yourself [repost]

Someone suggested that Suss Müsik repost our contributions to the weekly Disquiet Junto projects, because they enjoy reading the explanations of the tracks. While you’re reading the original post, make sure you check out the other contributors’ works as well.

If you were to go back in time and flip through the record collection of 13-year-old Suss Müsik, you might discover a few surprises. Tucked somewhere between Lamb Lies Down on Broadway and the odd Brothers Johnson album, you’ll find the heavy metal classic Paranoid by Black Sabbath. Even today, a casual listen of “Fairies Wear Boots” is impossible to resist. Arms raised, convulsive head shaking, ‘devil horns’ hand gestures … the whole bit.

Birmingham in the 1970’s was a largely working class city, its economic infrastructure dependent on factories and manufacturing. The sound of early Black Sabbath reflects their industrial surroundings: a chugging, blues-influenced slog characterized by low guitar tunings and beastly repetitive rhythmic structures. It was primordial sludge with a lyrical penchant for examining one’s sense of identity under traumatic (and chemically self-induced) conditions.

Suss Müsik wonders if Paranoid had been a different sort of album had the band emerged from, say, London or Berlin. “The ability of each organism to respond to environmental challenges introduces a degree of uncertainty into the physical word,” wrote the physicist Louise B. Young in her book The Unfinished Universe. “Consciousness is the central experience of life … even the most elementary inert forms of matter act in a manner which extends their own existence [over] time.” The appeal of heavy metal music, despite the genre’s increased sophistication and diversity, remains fundamentally distinct: RAWK OUT, DUDE.

Suss Müsik created this warped piece as a sort of homage to “uncertain” heavy metal, investigating the nuances between cosmic self-examination and our rudimentary (almost primal) compulsion for survival. Think of it as Maslow’s Hierarchy of Needs set to 4/4 time with lots of guitars. It’s no “War Pigs” or “Iron Man,” but you might bob your head a bit. Bonus pseudo-mystical nonsense included free of charge.

The piece is titled Dopamine, the brain chemical linked to feelings of pleasure yet known to cause paranoid anxiety when administered in high amounts.

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