Lately, Suss Müsik has been exploring a number of odd combinations in our compositions. The latest transgression in our musical roadmap can only be described as “what would happen if Brian Eno collaborated with Black Sabbath while recording My Life in the Bush of Ghosts.” That should give you some idea of what this monstrosity sounds like. Another way to describe the piece is that it’s rough, sloppy, loud and mechanical. We really like it, of course.
The new piece obviously needs to go through a gestation period; however, this might be what Decatenation needs before its delayed release sees the light of day.