Post-classical ambient minimalism for crepuscular airports

Eclipsa

“Words have a hypnotic thing about them. To me they have connotations that are kind of blinding, a buzz in my head. I picked that up from trying to be like Dylan Thomas. If you’re going to try and be like Dylan Thomas you don’t really need to make sense all the time. Understanding the noise will get you through.”

~John Cale

Eclipsa coverIt was a full moon last night. Those who work in police and emergency medical services anecdotally claim that the full moon results in busier work shifts. This perception may be rooted more in personal psychology than statistical reality, yet common knowledge insists that crisis severity is accentuated by 30-day extremes in the lunar cycle. It’s human nature.

Things have been a little crazy of late on the world stage, much like a ball of yarn unraveling to its core. Those who are paid to interpret what is happening tend to blur the distinction between fact and opinion; those who make important decisions do so under a miasma of verbiage intended to confuse, rather than explain. In our attempts to deconstruct what has been said, we apply a layer of bias to confirm intentions that may or may not exist. It’s human nature.

Suss Müsik has created a 50-minute piece that operates as both distraction and sedation. Instruments are buried under a thin veil of amplifier noise, creating a restful calm despite the unrelenting dissonance. The piece is titled Eclipsa, which means “obfuscate” in the Catalan language of eastern Spain, and is available as a free download on SoundCloud or BandCamp.

A final thought: according to a 1968 essay by Philip Larkin, Dylan Thomas believed that William Butler Yeats was the greatest poet of his generation. The following verse from Yeats’ “The Second Coming” seems eerily prescient:

Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Update 01/16/17: Due to the album’s popularity on Bandcamp, Suss Müsik has exceeded our monthly allocation of free download credits. We’ve set a low price of $2 USD until our credits refresh on 02/15/17, at which point we’ll again offer the album as a free download for one month or until credits run out. Suss Müsik sincerely thanks everyone for their continued interest in what we do — hope you enjoy it.